First round of renovations to the Shrine’s Sacred Heart stained-glass windows completed with your support
American Opalescent, Munich, and Gothic Revival. This is most notable given that most churches and shrines only house one.
The Sacred Heart window is the oldest in the Shrine, dating back to approximately 1890. It has hung in the Holy Agony Shrine for more than 146 years.
Over time, moisture has damaged this exquisite work of religious art.
Last fall, the window underwent an extensive restoration process at Beyer Studio right here in Germantown. In March, it was reinstalled to its original spot in the Shrine. This moving image has inspired generations of devoted Catholics to reflect on the sorrowful mysteries. And thanks to your support, it will once again inspire others as it relates the Passion of Our Lord.
Upon entering The Miraculous Medal Shrine, visitors notice the 10 windows in the main body of the church. All of them are American Opalescent stained glass, which was popularized by Tiffany Studios in their windows and lamps at the turn of the twentieth century. Opalescent glass is translucent and has a milky opaqueness that reflects and transmits light. The seams that hold the pieces together are incorporated into the design to make them unnoticeable.
The figures depicted in the windows are graceful; and the scenes are more natural than those portrayed in medieval stained-glass windows. Upon closer observation, it becomes evident that some of the saints are wearing clothing made using drapery glass— glass that, while molten hot, is folded to resemble draped material.
The saints in these stained-glass windows are known for their significant assistance to seminarians:
Saints Agnes, Aloysius Gonzaga, Catherine of Alexandria, Francis de Sales, James, John the Evangelist, Patrick, and Thomas Aquinas.
On the left-hand side of the sanctuary is the Holy Agony Shrine, which houses the Sacred Heart windows.
They are made in the Munich style of stained glass, originated by F.X. Zettler and Franz Mayer. This style combines traditional elements of medieval stained glass with Renaissance artistic techniques. For example, objects that are closest to the viewer are larger than those farther away; and the colors of objects in the foreground are more intense than those in the distance.
Zettler was the first to meld threepoint perspective in stained glass, which adds depth to his scenes. Using larger pieces of glass enabled Zettler’s artists to achieve these techniques masterfully; and our Sacred Heart window exemplifies this. Jesus appears to be stepping toward us with His left hand extending beyond the window.
Across from the Sacred Heart windows are seven Gothic Revival windows made circa 1920. These windows portray 14 scenes from Mary’s life:
These visual stories are arranged with smaller pieces of brilliant, jewel-toned glass in a variety of blues and reds.
This creates a panoply of color and pattern not only in the windows, but in the light that streams through them.
Our shrine also contains two Rose Windows, both of which are modeled after the famous Rose Window in the Chartres Cathedral in France.
They, too, are the Gothic Revival style and contain the strong blue coloring known as Bernardini blue. Mary is at the center of both windows, looking up toward God with her hands in prayer.
In the dome above the sanctuary, seven small, medallion windows represent the Christian virtues of faith, hope, charity, prudence, justice, temperance, and fortitude. The number seven represents the seven sacraments and symbolizes perfection (on the seventh day God rested and blessed His work [Gen 2:2]). These windows are also the Munich style.
In all, the Shrine’s magnificent windows contain some of the finest stained glass seen throughout the world. But they have endured continual exposure to harsh winters and sweltering summers. They are in great need of continued restoration and repair.
Your support has enabled us to complete the first round of renovations.
Your support is needed again today to help us continue restoring our exquisite stained-glass windows — and preserve the “eyes” of Mary’s Shrine for generations to come.